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On the development direction and individual transcendence of Chinese modern ceramic painting

Wu Qingjiang  
[Abstract]: As for the development of modern Chinese ceramic painting since the establishment of the "moon circle" in 1928, the theoretical framework of the development of China's modern ceramic painting has at least experienced the baptism of various modes, forming a diversified, rich and wonderful new era ceramic art language system. In the corresponding historical background, the different development direction and the humanistic jumping off of each artistic individual are also a powerful process propeller to form the current situation.
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